Skip to 1 minute 20 seconds for beginning of the tour of works.
“haunting and tantalizing, these works evoke a sense of future nostalgia, as if trailers for a recent dream we can no longer decode, being now awake and outside the spell that brought the light and the shadow so cryptically together.”
Anonymous
Gallery of In Praise of Shadows Series by Kate Beaugié and Marc Christmas
Kate Beaugié "Gold Cube no. 3 |16.8cms³" 2018
21ct gold leaf and gesso on reclaimed timber, made for Cheriton Light Festival 2018. 16.8cms³
Kate Beaugié "Gold Cube no. 5 | 24.8cms³" 2018
21ct gold leaf and gesso on reclaimed timber, made for Cheriton Light Festival 2018. 24.8cms³
Kate Beaugié "Shadow of gold cube and blossom triptych" 2018.
Unique photogram on fibre-based Ilford photographic paper, archival mounted onto aluminium, framed under UV non-reflective glass.
Marc Christmas "*Beyond the whisper of the tree. Untitled" Folkestone Leas 2023.
Within in your boundless majesty.
Fibre Based Silver Gelatin Photograph. Vintage Kodak paper 1949.
Diptych. Edition 2#3 Variations 2024. Signed on Verso.
Marc Christmas. *Mass. Untitled. Folkestone Harbour 2015. Seven psalms.
Fibre Based Silver Gelatin Photograph. Ilford vintage paper (1967).
Edition 2#7 Variations, 2024. Signed on Verso.
Kate Beaugié "Wave | Vibe" 2019
Series no.1 of 9, digitally reproduced from photogram, Giclée print on Hahnemühle Photo Rag Diasec mounted under acrylic. 73.5 x 50cm
Kate Beaugié "Spring rain | May blossom and raindrops" 2024.
Unique photogram on fibre-based Ilford photographic paper, framed under UV non-reflective glass. 31.5 x 38cm framed
Kate Beaugié "The rain is stopping | May blossom and raindrops" 2024.
Unique photogram on fibre-based Ilford photographic paper, framed under UV non-reflective glass. 31.5 x 38cm
Marc Christmas "*A place much like the earth.
Untitled". Dungeness, 2022.
Fibre Based Silver Gelatin Photograph. Ilford vintage paper (1967).
Edition 1#7 Variations, 2024. Signed on Verso.
Kate Beaugié "Sakura (Cherry Blossom) Square" 2024
Unique photogram on fibre-based Ilford photographic paper, framed under UV non-reflective glass.
Kate Beaugié "Nature Morte" 2023
Unique photogram on fibre-based Ilford photographic paper, archival mounted onto Diasec, framed under UV non-reflective glass. 41.5 x 64cm
Kate Beaugié "Dead Bluebells Triptych" 2024
Unique photograms on resin-based Ilford photographic paper, archival mounted onto Diasec. 100 x 40cm
Kate Beaugié "Prayer | Weeds Altarpiece" 2024.
Unique photogram on fibre-based Ilford photographic paper, archival mounted onto Diasec, framed under UV non-reflective glass. In shut position.
Kate Beaugié "Prayer | Weeds Altarpiece" 2024.
Unique photogram on fibre-based Ilford photographic paper, archival mounted onto Diasec, framed under UV non-reflective glass. 71 x 43cm
"Prayer | Weeds Altarpiece"
2024
Unique photograms framed into an altarpiece format
71cm x 43cm
Kate Beaugié. "Weed no.1" 2024
Unique photogram on fibre-based Ilford photographic paper, framed under UV non-reflective glass. 42 x 21.5cm framed
Kate Beaugié "No. 2 Cube 2022"
Photograph on Ilford Fiber-based photographic paper, Edition #2 of 3 Variations. 25 x 32cm framed
Kate Beaugié "Order vs. Chaos" 2024
Unique photogram on fibre-based Ilford photographic paper, framed under UV non-reflective glass.
Marc Christmas. *A place much like the earth. Untitled. Dungeness 2022. So beautiful like the moon. Fibre Based Silver Gelatin Photograph. 2024. Vintage Kodak paper 1950’s. Encaustic Beeswax.
Edition 1#7 Variations 2024.
Marc Christmas. *A place much like the earth. Untitled Dungeness 2022. So beautiful like the moon.
Fibre Based Silver Gelatin Photograph. 2024. Vintage Kodak paper 1950’s. Encaustic Beeswax.
Edition 2#7 Variations 2024. Signed on Verso.
Marc Christmas. *A place much like the earth. Untitled. Dungeness 2022. So beautiful like the moon.
Fibre Based Silver Gelatin Photograph. 2024. Vintage Kodak paper 1950’s. Encaustic Beeswax.
Edition 1#7 Variations 2024. Signed on Verso.
Marc Christmas. *Always searching for the Moon. Untitled. Romney Marsh Kent 2019.
Fibre Based Gelatin Silver Photograph. Fogged Vintage paper. 1932.
#1/3 Unique print. 2024. Signed on Verso.
Marc Christmas. *Always searching for the Moon Untitled. Romney Marsh Kent 2019.
Fibre Based Gelatin Silver Photograph. Fogged Vintage paper. 1932.
#1/3 Unique print. 2024. Signed on Verso.
"Scherzo | Flora Through Water" 2024
Unique photogram on fibre-based Ilford photographic paper, archival mounted onto Diasec. 40 x 50cm
Kate Beaugié "Old Man’s Beard | Usnea Composition" 2024.
Unique photogram on fibre-based Ilford photographic paper, framed under UV non-reflective glass. 54. 5 x 64.5cm
Marc Christmas. *Beyond the Whisper of the Tree. Untitled. Folkestone Leas 2019.
Do you hear the sound of the sea.
Fibre Based Silver Gelatin Photograph. Vintage Kodak paper 1949.
Diptych. Edition 2#3 Variations 2024. Signed on Verso.
Kate Beaugié "Minute Miracles" 2024
Unique photogram on fibre-based Ilford photographic paper, framed under UV non-reflective glass. 31.5 x 32cm framed
Marc Christmas. *Always searching for the Moon Untitled. Romney Marsh Kent 2019.
Resin Coated Gelatin Silver Photograph. Fogged Vintage paper. 1980’s.
#1/7 Unique print. 2024. Signed on Verso.
Kate Beaugié "Tiny Weed no.1" 2024
Unique photogram on fibre-based Ilford photographic paper, framed under UV non-reflective glass.
Marc Christmas. *Mass. Untitled. Folkestone zig zag path 2020. Empires of particles.
Resin Coated Gelatin Silver Photograph. Vintage paper. 1980’s. Mounted on black velvet.
Edition 1 # 2 2024. Signed on Verso.
Marc Christmas. *Mass. Untitled. Folkestone zig zag path 2020. Empires of particles.
Resin Coated Gelatin Silver Photograph. Vintage paper. 1980’s. Mounted on black velvet.
Edition 1 # 2 2024. Signed on Verso.
Kate Beaugié "Burnt Oak Cube" 2011
Burnt oak.
Kate Beaugié "White Cube" 2011
Plaster.
Information about the Exhibition
This collaborative exhibition explores light and shadows through the traditional and alternative photographic processes of the darkroom: silver gelatin covered paper is exposed to light and the chemical reaction of light on the silver creates the image, defined by whatever stands in between the light source and the paper.
Kate Beaugié and Marc Christmas share a passion for Japanese culture / aesthetics, forms of minimalism and light 光 and the resulting shadows 影, as mediums in themselves and as the subject of spiritual focus and expression.
The title of the show is taken from the book of the same name written in 1933 by Jun'ichirō Tanizaki, where comparisons of light with darkness are used to contrast Western and Asian cultures; the West, in its striving for progress, is presented as continuously searching for light and clarity, while the subtle and subdued forms of East Asian art and literature are seen by Tanizaki to represent an appreciation of shadow and subtlety, closely relating to the traditional Japanese concept of Wabi sabi.
Within the show, the artists have used Folkestone and the surrounding land’s nature, including extracted flora and views of the environment, to create the work with and they have compiled a selection of artworks that they hope will inspire and enrich the community.
Marc Christmas lives and works on the Romney Marsh Kent. He is a Senior lecturer of Photography and has been a practicing fine art photographer for over 35 years. His work is represented in numerous international private and public collections.
"For me the intrinsic beauty of photography is in the making (all prints have value) not the result, which is not so important. It is the process of remembering, the unraveling and overlap.
I work primarily with historical and analogue photographic processes, salt prints, albumen, photogenic with uncertain outcomes. Employing large format cameras and experimental, techniques.
The themes in my work are concerned with places of my adolescence (home and heart). The local spaces of family history (how a location possess you in its absence). The visceral and the loneliness of places, traces, and strolling (the ritual) I am a solitary walker, journeying to undertake pilgrimage to these spaces to find spiritual solace, reinterpreting, memory is my principal concern".
Kate Beaugié is a full time multi-disciplinary artist, working with light and shadow. Represented by Laurent Delaye Gallery, Kate has artwork in three public art collections, including in ‘VAULT 100’ at The Ned in London, curated by Kate Bryan, which includes 92 of leading British female artists. She has been awarded two Arts Council Grants, aimed to develop her creative practice. She has been an artist-in-resident with the Mathematical Institute at The University of Oxford, with the Sacconi Quartet and was the first artist resident at the Wealden Literary Festival in 2015. She now lives in the countryside near Canterbury after living in Folkestone for 15 years. Her studio and darkroom is in Dover.
"Growing up on a farm instilled an understanding and love of the natural world that keeps me humble. Living in Glasgow from 1995-2002 and studying Sculpture at the Glasgow School of Art introduced me to the varying amount of sunlight experienced, based on your position on the enormous sphere that we call earth. This is where I adopted the term ‘Light Sculpture’ to describe my work; passed down to me by light sculptors who have inspired me; James Turrell, Gary Fabian Miller, Susan Derges, as I attempt to honour the beauty, simplicity and truthfulness of light through my work. Using various mechanisms to express my awe of nature and natural phenomena, my hope is, to share what I find in the light and dark and to involve the viewer in an immersive experience with my art and with nature “red” raw, “in tooth and claw”. (Alfred Tennyson)"
“Absolute perfection in execution, process and beauty."
Zoe Stevenson
“Staggeringly beautiful works.”
Stephane Nebbia
“Exquisitely careful gaze on the natural world translated into delicate and thought provoking works.”
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